The lead guitar is ringing, the snare and the bass are keeping the beat, the horns are perfection, and the vocalists are just right.
Sometimes, as a group of Middle Tennessee State University School of Music and Department of Recording Industry students learned this fall on “Studio Saturdays,” the human element and the technology all fit together.
With a lot of effort and a bit of magic, a departmental collaboration gives them professional experience before they’re officially professionals.
Making use of Studio D once a month in the brand-new Main Street Studios facility while Master of Fine Arts in Recording Arts and Technologies students worked next door in Studio E, the Audio Production Program undergrads recorded performances by members of the School of Music’s Commercial Music Ensemble.
Their interdepartmental teamwork captured performances that showcase artistry on both sides of the studio glass. It also helps them learn how to run a recording session by observing their professors, music industry veterans and MTSU adjuncts Eben Powell and Matt Lund.
“Eh, we’ll just edit it. Don’t worry about it,” Lund reassured the groups after a session of a spectacular performance was cut short by a student who excitedly began talking over an intended fade-out.
“This class is great for in the future when you want to record your albums and songs and you’ll know what you’re doing,” said senior commercial songwriting major Michael Barber of Brentwood, Tennessee, a Commercial Music Ensemble member who’d been playing guitar in the “Studio Saturday” sessions all morning.
“You’re also learning that you can’t be noodling around and wasting time when you’re gonna record. Even the nicest guys will get mad at you for doing that. This is a serious business, and … they’re not being mean, it’s just like, ‘C’MON ALREADY.'”
Both Lund’s Commercial Music Ensemble courses, Music Ensemble 3240, and Powell’s RIM 4400 classes, Recording Studio Techniques, are part of MTSU’s longstanding Experiential Learning Program, aiming to educate students with practical experience in their fields alongside classroom lectures and reading.
‘It’s all-student, all the time’
Along with Barber, this fall’s members of the Commercial Music Ensemble, an audition-only performance group, include sophomore audio production major Josh Garner of Macon, Georgia; RJ Gick, a freshman professional pilot and audio production double major from Lakeland, Tennessee; sophomore recording industry major Andrew Mason of Prince Frederick, Maryland; Maya Ronick, a freshman commercial songwriting major from Germantown, Maryland; Clay Skiles, a senior audio production and mathematical sciences double major from Cypress, Texas; sophomore audio production major Alli Wildrick from Allen, Texas; and Jacob Williams, a freshman audio production major from Mt. Juliet, Tennessee.
School of Music Jazz Ensemble members providing brass and percussion for the sessions included senior instrumental music education major Turner Hamilton of Vestavia, Alabama; freshman music major Brennan Wagner of Nashville, Tennessee; and music graduate students Jesse Gibens of Ripley, Mississippi, and Sosa Barboza of Mount Berry, Georgia.
The recording industry students in Powell’s classes included junior audio production majors Tanner Alguire of Cleveland, Tennessee; Landon Cook of Little Rock, Arkansas; Joseph Fernandez of Smyrna, Tennessee; Danielle “Dani” Gillis of Gibsonia, Pennsylvania; Savannah Bowen of Knoxville, Tennessee; Sin Yan “Shannon” Chum of Sheung Wan, Hong Kong; Johnathan Garretson of McKinney, Texas; and Leah Zachary of Christiana, Tennessee; sophomore audio production major Kyran Hainje of Suwanee, Georgia; and senior audio production majors Christopher Hessian of Loves Park, Illinois, and Samuel Roth of Farmington Hills, Michigan.
“STOP NOODLING,” which became one of Powell’s favorite phrases one Saturday alongside “EXCELLENT, THANK YOU!”, isn’t merely a reaction from someone sensitive to extraneous noise.
In the music business, studio time starts at $100 an hour, and engineer, producers and other critical personnel have their own hourly rates.
“In the Main Street Studios at MTSU, however, “we call them ‘commercial’ but nobody’s paying (extra) to use these studios,” said Powell, who jokes that he expects his students to thank him at the Grammys. “It’s all-student, all the time.
“I have to mimic the real world as much as possible, though, because I can’t have a student go to their first gig and say, ‘I’ve never seen this before’ or ‘I’ve never done this.’
“I make it as close as I can to a real gig. And at a real gig, you get fed, too, so every time I host ‘Saturday Sessions,’ I feed everybody, because that’s what happens in the real world.”
‘All aspects of making music’
The nearly $2 million Main Street Studios, which were busy almost around the clock this fall and will be fully open for classes by fall 2022, have nearly 5,000 square feet of customized, expandable, “world-class” classroom, laboratory, production and gathering space in the relocated Studios D and E adjoining the university’s main entrance.
The professional opportunities at those studios and across campus also helped convince Ronick, a vocalist in the Commercial Music Ensemble, to attend MTSU.
“This is the first time I’ve been in a real studio, so it’s been cool to see how it actually works and all the technology,” she explained. “I was in a rock band in high school and we recorded songs, but it was in somebody’s basement, so this has been my first chance to see a true recording studio.”
Her focus on Americana music drew her to Nashville as well, since she says Maryland doesn’t have many performance or professional training opportunities for the genre.
“I’m definitely interested in all aspects of making music,” Ronick said, “behind the scenes, the boards, all facets of it.”
Some of the work the groups finished in one Saturday session turned up Dec. 3 at the department’s rejuvenated “Listening Night” monthly event, giving them the first chance to fully hear the finished products reverberate across the studios.
“This is my first studio class in general, and it’s clear we’ve got a pretty good deal here,” said Gillis, one of a growing number of women working the boards in Powell’s classes.
“It’s definitely exciting to see and to work with. I volunteered to run the (mixing) console today just because of this.”
Recording industry undergrad majors at MTSU can focus on audio production, the Commercial Songwriting Program or Music Business Program. The MFA degree prepares MTSU graduate students for advanced work in audio production, recording and integrated electronic media.
Powell, a 35-year audio professional, earned both his undergrad and MFA degrees from MTSU before joining the department to teach in 2017.
Lund, who earned his Master of Arts in Jazz Studies from MTSU, is a multi-instrumentalist in multiple genres and a composer and educator who’s also a sideman for performances and recording sessions and worship leader and worship band member and producer.
For more information about the Department of Recording Industry in MTSU’s College of Media and Entertainment, visit https://mtsu.edu/recording-industry. For more on the School of Music and its programs, visit https://mtsu.edu/music.
— Gina E. Fann (firstname.lastname@example.org)